Novel Chronicles A California Dream Divided
If Hector Tobar turns out to be the Charles Dickens or the Tom Wolfe of the 21st century, he owes a big thank-you to the people of California.
Some of them, anyway.
"Really, 187's passage is what made me want to write this book," he says.
Proposition 187 was the now-infamous voter initiative that was on the ballot in 1994. It denied basic assistance — social services, health care and public education — to illegal immigrants. After a lengthy legal contest, the federal government declared 187 unconstitutional. But Tobar remembers how shaken he was when the measure first passed.
"To me, it was really shocking to live in that California, because I had grown up in a California that was a really optimistic place and was accepting of outsiders," Tobar explains. "It was founded by outsiders — almost everybody here is from someplace else."
Tobar has just gotten off a train that brought him from his Mount Washington neighborhood to Union Station in downtown Los Angeles. As early-morning commuters swirl around us, Tobar's point is well-taken: the different features, hues and accents here are testament to the still-potent pull of the Golden State.
Tobar, a Pulitzer Prize-winning journalist for the Los Angeles Times, is a California native, but the immigrant's story is never far from his consciousness: His parents came here from Guatemala. As the current debate about the legitimacy of undocumented immigrants continued to erupt, Tobar decided he wanted to explore those immigrants' tenuous status and the interdependence between those who are served and those who are doing the serving, using fiction as his vehicle. Thus, The Barbarian Nurseries was born, with its smart, grumpy heroine, 26-year-old Araceli Ramirez.
"In California today, many people see someone like [Araceli] and they think of someone who's done something illicit — they've crossed the border illegally," Tobar says. "In Los Angeles today, 'Guatemalan' is, for many people, synonymous with 'servant.' "
In Araceli Ramirez, Tobar has created an astute observer of the privileged SoCal lifestyle. As she rides with her employer, Maureen Torres-Thompson, and her sons, Brandon and Keenan, Araceli notes Brandon's deft finger work on the buttons of his electronic toy:
When the California economy goes into meltdown, Maureen and Scott Torres-Thompson's pricey lifestyle is badly shaken. They're barely hanging on to their large house with the ocean view in a gated community in Orange County. The money worries lead to marriage troubles, and after a particularly nasty argument, Scott storms out to stay a couple of nights with a friend. Maureen takes their baby daughter with her for a couple of spa days. Each assumes the other has the boys; in fact, Araceli is left to console and care for them.
The housekeeper is afraid that if she calls the police, she'll be deported, the boys will be split up and dispatched by Child Protective Services to something Araceli hears as "Faster Care." She decides instead to reunite them with the grandfather whose photograph she dusts weekly. His central Los Angeles address is on the back of the photo, and she thinks she can find it.
Eventually the Torres-Thompsons figure out that neither of them has the boys, and the children's alleged disappearance is the catalyst for a huge manhunt and, later, public debate about America's sloppy immigration policy.
Yuppies, immigrants, politicians and vigilantes — Tobar has them all coming together in a Crash-like moment for a perfect California ending that will leave readers pondering the inconsistencies in the country's dependence on illegal immigrants even as some of us persist in keeping them at arm's length.
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