Annalisa Quinn
Annalisa Quinn is a contributing writer, reporter, and literary critic for NPR. She created NPR's Book News column and covers literature and culture for NPR.
Quinn studied English and Classics at Georgetown University and holds an M.Phil in Classical Greek from the University of Cambridge, where she was a Cambridge Trust scholar.
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An unexpected and interesting aspect of the book is the way it brims with experiences of the body, including Couric's years struggling with bulimia and the warping effects of having her looks managed. -
Pat Barker returns to the scene of the Trojan War in The Women of Troy, but this time after the city has fallen and its women are grieving their old lives while trying to figure out their new ones.
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The flattening effect of political discourse, insipidity of the first lady role and her own remoteness have led us to either forget she has an inner life — or to imagine her as an elegant prisoner.
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In Curtis Sittenfeld's new novel, Hillary Rodham dumps Bill Clinton and goes on to forge a life of her own, in law and then politics. It's an uncomfortable, moving, technically brilliant book.
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The book ties the killing of his story on Harvey Weinstein's alleged sexual misconduct to a pattern of harassment and abuse within NBC — including payouts and rape allegations against Matt Lauer.
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Ta-Nehisi Coates' new novel, set during the era of slavery, follows a young black man who discovers that his memories trigger a mysterious power of teleportation that can help escaped slaves flee.
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At points, it is hard to read Miller's devastating, immersive memoir and breathe at the same time. Miller is an extraordinary writer, with her sharpest moments focusing on her family and their grief.
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New York Times reporters Jodi Kantor and Megan Twohey broke the story that ended the Hollywood producer's alleged reign of terror and helped to ignite the #MeToo movement.
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The collection of 32 mostly previously published essays by New Yorker TV Critic Emily Nussbaum includes a new consideration of the question "What should we do with the art of terrible men?"
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Jim Acosta comes across less like a reporter than a rival in his book — giving his side of the history of his interactions with the president and the legal battle to regain access to the White House.
